兵勢第五兵势第五
孫武孙武
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孫孙子子曰曰
凡凡治治衆众如如治治寡寡
分分數数是是也也
鬥斗衆众如如鬥斗寡寡
形形名名是是也也
三三軍军之之衆众
可可使使必必受受敵敌而而無无敗败者者
奇奇正正是是也也
兵兵之之所所加加
如如以以碫碫投投卵卵者者
虛虚實实是是也也
凡凡戰战者者
以以正正合合
以以奇奇勝胜
故故善善出出奇奇者者
無无窮穷如如天天地地
不不竭竭如如江江海海
終终而而復复始始
日日月月是是也也
死死而而復复生生
四四時时是是也也
聲声不不過过五五
五五聲声之之變变
不不可可勝胜聽听也也
色色不不過过五五
五五色色之之變变
不不可可勝胜觀观也也
味味不不過过五五
五五味味之之變变
不不可可勝胜嘗尝也也
戰战勢势不不過过奇奇正正
奇奇正正之之變变
不不可可勝胜窮穷也也
奇奇正正相相生生
如如循循環环之之無无端端
孰孰能能窮穷之之哉哉
激激水水之之疾疾
至至於于漂漂石石者者
勢势也也
鷙鸷鳥鸟之之疾疾
至至於于毀毁折折者者
節节也也
故故善善戰战者者
其其勢势險险
其其節节短短
勢势如如彍彍弩弩
節节如如發发機机
紛纷紛纷紜纭紜纭
鬥斗亂乱而而不不可可亂乱也也
渾浑渾浑沌沌沌沌
形形圓圆而而不不可可敗败也也
亂乱生生於于治治
怯怯生生於于勇勇
弱弱生生於于強强
治治亂乱
數数也也
勇勇怯怯
勢势也也
強强弱弱
形形也也
故故善善動动敵敌者者
形形之之
敵敌必必從从之之
予予之之
敵敌必必取取之之
以以利利動动之之
以以卒卒待待之之
故故善善戰战者者
求求之之於于勢势
不不責责於于人人
故故能能擇择人人而而任任勢势
任任勢势者者
其其戰战人人也也
如如轉转木木石石
木木石石之之性性
安安則则靜静
危危則则動动
方方則则止止
圓圆則则行行
故故善善戰战人人之之勢势
如如轉转圓圆石石於于千千仞仞之之山山者者
勢势也也
Translation
Sun Tzŭ said: The control of a large force is the same principle as the control of a few men: it is merely a question of dividing up their numbers. Fighting with a large army under your command is nowise different from fighting with a small one: it is merely a question of instituting signs and signals. To ensure that your whole host may withstand the brunt of the enemy’s attack and remain unshaken—this is effected by manœuvers direct and indirect. That the impact of your army may be like a grindstone dashed against an egg—this is effected by the science of weak points and strong. In all fighting, the direct method may be used for joining battle, but indirect methods will be needed in order to secure victory. Indirect tactics, efficiently applied, are inexhausible as Heaven and Earth, unending as the flow of rivers and streams; like the sun and moon, they end but to begin anew; like the four seasons, they pass away but to return once more. There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard. There are not more than five primary colours (blue, yellow, red, white, and black), yet in combination they produce more hues than can ever be seen. There are not more than five cardinal tastes (sour, acrid, salt, sweet, bitter), yet combinations of them yield more flavours than can ever be tasted. In battle, there are not more than two methods of attack—the direct and the indirect; yet these two in combination give rise to an endless series of manœuvers. The direct and the indirect lead on to each other in turn. It is like moving in a circle—you never come to an end. Who can exhaust the possibilities of their combination? The onset of troops is like the rush of a torrent which will even roll stones along in its course. The quality of decision is like the well-timed swoop of a falcon which enables it to strike and destroy its victim. Therefore the good fighter will be terrible in his onset, and prompt in his decision. Energy may be likened to the bending of a crossbow; decision, to the releasing of the trigger. Amid the turmoil and tumult of battle, there may be seeming disorder and yet no real disorder at all; amid confusion and chaos, your array may be without head or tail, yet it will be proof against defeat. Simulated disorder postulates perfect discipline; simulated fear postulates courage; simulated weakness postulates strength. Hiding order beneath the cloak of disorder is simply a question of subdivision; concealing courage under a show of timidity presupposes a fund of latent energy; masking strength with weakness is to be effected by tactical dispositions. Thus one who is skilful at keeping the enemy on the move maintains deceitful appearances, according to which the enemy will act. He sacrifices something, that the enemy may snatch at it. By holding out baits, he keeps him on the march; then with a body of picked men he lies in wait for him. The clever combatant looks to the effect of combined energy, and does not require too much from individuals. Hence his ability to pick out the right men and utilise combined energy. When he utilises combined energy, his fighting men become as it were like unto rolling logs or stones. For it is the nature of a log or stone to remain motionless on level ground, and to move when on a slope; if four-cornered, to come to a standstill, but if round-shaped, to go rolling down. Thus the energy developed by good fighting men is as the momentum of a round stone rolled down a mountain thousands of feet in height. So much on the subject of energy.
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